Christina Reynolds

Electronic music is composed using electronic instruments such as synthesizers or computers. Electronic music artists often use tape recorders to make unique sounds.

Composers began using tape recorders to create music after World War II, when they were invented and became popular. The performance required the use of the tape recorder. Composers used them to mix different sounds. Music played on regular (acoustic) instruments was also used, which the tape player altered in some way. They used sounds from daily life, such as water, traffic and birdsong, sometimes. Using the tape recorder, both of these sounds were combined in the composer’s desired way. Audio tapes were often cut into pieces and then sliced, ‘or reassembled in a different order. The results were often fascinating, but there were problems. “Is that music?” asked some. Others found sitting in front of a tape player boring instead of watching live musicians perform during a concert.

In the 1940s, composers in Paris experimented with electronic music. Because they used natural, concrete sounds, they named it “Musique concrète.” (In this context, “concrete” meant the polar opposite of “abstract” music written down for performance.) The sounds were played at different speeds, mixed in different ways, played backwards or continuously (in a “loop”, for example), or recorded in a mixer and recorded on another tape recorder. It is possible that the sound can be filtered. Vibrato and echo effects can be applied. Synthesizers, which were devices capable of creating electronic music in real time, were often used by composers. They sounded more like natural instruments than tape recorder sound effects.

Traces of the classical era

John Cage (1912-1992), Bruno Maderna (1920-1973) and Karlheinz Stockhausen are among the composers who used these techniques (b.1928). Composers often fused electronic music with traditional instruments.

Music that is popular today

The use of electronics to produce new sounds in popular music began in the 1960s. Producer Joe Meek and inventor Bob Moog had expanded the variety of sounds that could be used in pop music, and electronics had been embraced in the industry by the end of the decade. People like Giorgio Moroder, Jean-Michel Jarre, Brian Eno and Kraftwerk made electronic music popular in the next few years.

Electronic music became popular in the early 1980s, and bands such as New Order, The Human League, Pet Shop Boys and Depeche Mode became famous. These bands will sometimes combine electronic music and rock music.

Electronics are now so much a part of mainstream music in the twenty-first century that their use is no longer uncommon. in reality, many musicians use nothing else.

Music for dancing

Electronic dance music, or EDM, is a subgenre of electronic music. Electronic dance music (EDM) is a form of electronica created to be danced to, making it club-friendly and mostly (but not always) up-tempo. Although many electronic genres are categorized as EDM, not all types of electronic music fall into this category. Post-disco, house, industrial, Eurodance, trance, trip hop, drum and bass and dubstep are just a few examples of EDM genres.

In 2018, Billboard published an industry statistic that showed the importance and value of the electronic dance music market. In this statistical statement, the company reveals a 12 percent increase in one year, indicating that many improvements occurred as a result of the musical revolution. YouTube was one of the most important factors in the growth of the EDM industry.

My father’s reel-to-reel machine sparked a lifelong interest that led me to work in recording studios, teaching music engineering and creating music. It’s something I’ve never lost interest in because the studio allows me to explore a wide range of creative possibilities.

The satisfaction that comes from generating ideas, laying out songs and fine-tuning a mix is ​​something that only this creative process can provide. You may be wondering what is involved in all this.

Creating music, in general terms, involves writing, recording and mixing music to form a ‘track’. The initial musical inspiration is explored, which may take the form of a riff, a sound or a feeling. The track’s sound is then developed with several layers of instrumentation before being “mixed” or interpreted for creative effect.

Does it seem difficult? Well, you should know a few things before diving into this world. The good news is that online learning has made it possible to improve these skills from the comfort of one’s own home. Another thing to remember is that you can get the resources you need to get started with little or no money.

Still not convinced? It doesn’t matter if you can play an instrument or not. Thanks to loop-based music creation, anyone with a computer and free time can start composing music.

I grew up in a time when getting your music recorded to a release level meant hiring a professional to record and mix it. A large investment in music technology hardware was necessary to set up a home studio.

Fast forward to today, when my 16-year-old son uses his computer and some knowledge to release his music through digital distribution sites like Spotify and Soundcloud. While I have taught him a few things, he has learned most of his skills by studying the craft online.

how do you get started?

There are many options to consider if you want to learn how to make music online and get the equipment you need.

Even if you don’t have a lot of money to start working with music, you can start with a free digital audio workstation. Avid’s Pro Tools First introduces industry-standard recording software used in studios worldwide.

It’s not a big deal if you don’t know where to start with Pro Tools. To get you started, Avid has created free online tutorials.

Many websites are dedicated to providing knowledge to help users improve their audio software skills. Pro Tools Expert has a wealth of knowledge and tutorials on various topics, and it’s made to help people from all walks of life.

Pro Tools isn’t the only free music production software available.

Reaper is a digital audio workstation that has become increasingly popular. For non-commercial users, it is reasonably priced at $60. A free 60-day trial period is available, so you can try it before you buy. A variety of tools are available on the Reaper website to help new users navigate the software.

FL Studio focuses on electronic music production to free creative materials from “the limitations of existing audio recording tools.”

Garageband, a loop-based music composition studio, is familiar to many Apple users. Creating music with loops involves using pre-recorded or programmed sounds. It has a surprising number of features for such a small device, and there’s even a mobile phone application.

What resources are available to you?

It’s also easy to find instructions for systems like Garageband. There are many Garageband teachers to choose from on the internet.

There are many music making courses available for a nominal fee if you are ready to invest a little more in your education. Udemy is a platform where more experienced creators can offer self-paced courses, and these can be a great place to learn skills related to your musical interests.

While these options focus on using and maximizing your program, there are dozens more that include recording techniques. The opportunities to learn and improve your music producing talents are almost limitless.

There are many options when looking for tutorials, but try to find an instructor who communicates well. Forum comments are also valuable information that can help you find the right tutor.

DJs need to be open-minded when listening to different types of music. You risk beating yourself up if you avoid different genres and focus solely on one. You can also miss out on gigs and limit the originality of your programming. Unfortunately, many DJs do just that.

It’s not a DJ thing though; it’s a people thing, and it all depends on how we treated music when we were kids. We tend to cling to the music we receive as children, whether it comes from our families, television or radio. Our taste in music is heavily influenced by our peers and the social group at school during our teenage years. Music is an important aspect of our identity, and we strongly defend our musical preferences while mocking those who “just don’t get it.”

We might like the current hit from a genre we “despise” that’s all over the radio, but we’re afraid to admit it to ourselves, let alone anyone else. DJs need to break out of this kind of siege mentality.

DJs become DJs long before we think of ourselves as such. We’re always on the hunt for the newest and most exciting songs, regardless of genre, and we can’t wait to share our discoveries with our friends. We are the ones who make the playlists and are the ones who are asked to turn on our iPhones during parties. Things can go downhill when we start seeing ourselves as DJs.

The problem

When you first start DJing, you see professional DJs blasting through four-hour club sets and want a piece of that action. These DJs become your idols and you want to know what music they play so you can emulate them. This is understandable, but it’s easy to get caught up in only listening to and playing one or two “safe” genres of music.

Sure, you’re still on the hunt for good music, but you’ve developed tunnel vision, focusing on trendy musicians and narrow subgenres. You’re missing the bigger picture: DJing is about playing great music, not looking cool. You get a sense of where these DJs are right now when you review these four-hour shows, and you miss the fact that it’s almost certainly a love of a wide range of music that has led them to recognition and prosperity -paid musical judges you love.

There is a plethora of recordings to choose from in various music genres. Expand your musical horizons and you might discover a groove you wouldn’t have found otherwise.
By expanding your musical horizons and taking risks on genres you might otherwise overlook, you can become a better and more knowledgeable DJ. For starters, you broaden your appeal and as a result, you can secure more gigs and meet more people. If you find that your usual songs aren’t quite quenching the thirst of the dance floor, you give yourself more creative opportunities to mix things up in your sets. You begin to develop as a more well-rounded DJ.

The DJ in the top photo, Motor City Drum Ensemble, is an example of a DJ with impeccable, well-rounded taste. You’ll be listening to disco one second and acid house the next in his sets. This ability does not come naturally to him; he’s spent years sifting through genre after genre, and he’s been rewarded with gem after gem.

You have to become a musicologist, not a critic, to find these treasure recordings. Listening to many different kinds of music is just as important as listening to good music. It’s also beneficial to listen to music that makes you uncomfortable because that’s when your tastes begin to broaden.

You probably have noticed how virtual games became super popular in the last several years, especially those based on racing. And virtual greyhound, in particular, is what’s keeping so many players all around the world on the edges of their nerves. It sounds silly, we agree, but the excitement these types of races bring is simply incredible, and you will soon find out why. Just visit MerkurXtip, and you will see how many races of this kind are going on at this very moment.

What’s greyhound racing?

Greyhound racing is a sports category where six virtual, computer-generated dogs participate. They run around the oval track, and the one who first passes the finish line is the absolute winner. Now, everything is just a game of luck given that the random number generator decides who the winner will be, but the whole animation is there to keep the viewers stimulated and with a feeling of authenticity and realness of the race.

Virtual greyhound pros

There are several great things about virtual greyhound racing that will explain why this game has more and more fans each day. One of them lies in the fact that greyhound races are very fast, which is ideal for players who don’t have much patience and want to place a new bet every couple of minutes. On average, you will be able to watch between 25 and 30 races within one hour.

Then, there is this thing with animation and rendering. They are usually so good that people are additionally attracted to these games because of them. They can be so real that you may find yourself yelling and cheating for your dog, forgetting that they aren’t real animals.

And finally, you should know that these races are always determined by a random generator, so there is no room for manipulation or for questioning the fairness of it. The softer will take the odds into consideration, but just like in the real world, the favorite won’t always be the winner.

Virtual greyhound cons

Now, because of the fact that these virtual greyhound races are much more frequent than the ones in real life, there is a bigger chance you will lose control over yourself and place multiple bets, which may end up with you losing a lot of money at once. That’s why it is extremely important to be aware of this as a potential problem.

The second disadvantage to virtual greyhound races is that there is no room for analysis and statistics. You won’t be able to get a conclusion on how good your dog is based on its famous predecessors or its previous races.

And the thing that’s a real turn-off for some is the fact all of this ain’t real. The dogs, the race, the surroundings, anything, so people who are into real live sports betting may feel a bit betrayed or scammed. Also, some of them claim the lack of a real racing atmosphere is another thing that’s disappointing.

Conclusion

Both pros and cons regarding virtual greyhound racing are valid. Those are relevant things to consider before engaging in this type of betting in order to understand what is that you can and cannot expect. We believe virtual greyhound is only going to expand more and attract more and more fans because of its authenticity and fairness, but the truth is it’s never going to be everybody’s cup of tea.